Pretty Woman (1990)

Director: Garry Marshall Cast: Julia Roberts, Richard Gere, Jason Alexander, Laura San Giacomo, Ralph Bellamy

After a chance meeting when asking for directions, wealthy businessman Edward hires a prostitute, Vivian, for a week to attend events with him as his plus one. This being a Hollywood movie, they end up falling in love- but will it ever be able to work out between them?!

The answer to the above question is, of course, yes. Despite my cynicism though, Pretty Woman is an enjoyable and feel-good movie with a reliable formula to win over audiences. It’s definitely more rom than com and I could have done with a few more funny moments to improve it, but it’s not sickeningly romantic. Having a prostitute as the protagonist brings a different twist to the classic boy meets girl setup, and it’s refreshing to see her unashamedly flaunting her sexuality rather than the usual timid high-school nerd chasing the handsome sports star scenario. Plus, Vivian would have ended up fine on her own in the end if her and Edward hadn’t got together- she didn’t necessarily need the man to give the story a happy ending nor does she have to change herself to win him over (apart from buying some new clothes). Strong independent woman, amirite? Edward is also an appealing male protagonist: although he’s a successful businessman it’s no secret that he’s lonely and ultimately unfulfilled in his current lifestyle. It’s very easy to root for them as a couple.

Although the storyline is primarily about a man who hires a prostitute for a week it’s mostly a family friendly movie, and while it’s rated a 15 it would probably be suitable for kids slightly younger. In short, I would have no qualms with watching this with my parents so it can’t be that scandalous.

Easy plot, non-stressful storyline, classic 90s fashion, likeable characters- I’m going to hate myself for using this expression but it’s ideal for a “girls night in” (urgh). Plus there’s nothing like getting your own back on someone by buying a sassy new outfit- watch it just for the satisfaction of that classic shopping scene.

3.5 stars

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Kingsman: The Golden Circle (2017)

Director: Matthew Vaughn Cast: Taron Egerton, Colin Firth, Mark Strong, Julianne Moore, Halle Berry, Jeff Bridges, Channing Tatum, Pedro Pascal

In the follow-up to everyone’s surprise favourite film of 2014, Kingsman: The Secret Service, Eggsy is now a fully-fledged agent but is forced to head to the US after the Kingsman headquarters are destroyed. Once in Kentucky, he teams up with agents from Kingsman’s American counterpart Statesman to bring down an eccentric drugs kingpin.

I think it’s fair to say that a lot of people were pleasantly surprised about how much they enjoyed the first Kingsman. And while sequels often require lowered expectations, I found The Golden Circle to be a worthy second round. One of my favourite features of the first movie was the way they filmed the action sequences, swapping between fast and slow-motion, close-ups and zooming in and out, and so I was pleased that they’d put a few more sequences like that into  this one- although I think any more would have been overkill and it would have lost its effect. Overall it makes the action look very cool and slick, and it’s fun to see the action in detail rather than just one long shot of the scene.

I think this film is funnier than the first, which means I did enjoy it but I found that more of the focus was on the comedy than the plot. The main villain storyline is good, but I didn’t find it to be the main focus of the film. Rather, the plot was more of mechanism to get in the jokes and action sequences. For example on the surface there’s no real reason why Elton John would be in this film, as plot-wise if he wasn’t in it it wouldn’t really have made a difference, but somehow it works and actually he has some really funny moments. I did well up a little when Eggsy and Harry reunited though (slight spoiler but not really as he’s in the trailer- yes, Colin Firth is not dead) and there was quite a focus on the characters and their relationships, which is something I liked about the first film.

As with the first movie, it’s definitely for adults (a guilty-pleasure James Bond, if you will) so not family viewing, but a great shout for an easy-to-watch light-hearted action movie. I would definitely watch it again, and at the end they set it up for a third movie in the franchise so I’m absolutely looking forward to that.

3 stars

Fast Times at Ridgemont High (1982)

Director: Amy Heckerling Cast: Sean Penn, Jennifer Jason Leigh, Judge Reinhold, Brain Backer, Robert Romanus, Phoebe Cates (and also Nicholas Cage for all of 5 seconds)

We follow the escapades of a group of high school students over the course of a year, including romance, jobs, studies and general teenagery-ness.

Fast Times is a bit of a cult classic, lesser known than some of the other 1980s high school student flicks, but feels like one of the more authentic or realistic ones. Indeed, the story is based on the experiences of film-maker Cameron Crowe, who spent a year undercover as a high school student and wrote a book on his experiences. The events feel a lot more like stuff that would actually happen to regular teenagers, rather than far-fetched hijinks, and I think it definitely adds to the enjoyability of the film if you can look back and reminisce on some of your own high school experiences.

Not all the stories are totally connected and the links between the characters or individual plots can be a bit tenuous, so from a standard film-viewing perspective it might seem a little unstructured or random. However, this also adds to the realism, so we can mostly forgive that. I would also warn that not all the scenes would probably get past a film classification board today, so might be a little odd for modern audiences (mainly the underage sex). It’s not one I’d watch with my parents…

This is definitely a must-see for 80s fans, especially as it’s up there in the genre of “golden-age” classics such as The Breakfast ClubBack to the Future or Ferris Bueller’s Day Off. It’s certainly not appropriate for younger audiences (I think it’s rated 18 here in the UK), but is a good dose of nostalgia for adults.

3 stars

All Eyez on Me (2017)

Director: Benny Boom Cast: Demetrius Shipp Jr, Danai Gurira, Dominic Santana, Kat Graham, Annie Ilonzeh

Long time, no activity on ScreenSnap. Apologies for the hiatus- it’s been a hectic few months but what better way to ease back in than to review the biopic of one of my all time fave humans, Tupac Shakur. All Eyez on Me follows the story of the legendary rapper from his early childhood to his death in 1996, exploring the relationships and experiences that made him who he was.

As I’ve mentioned, I love 2pac and I was excited to see how his life would be represented on screen. On the whole, I was pretty pleased- people often underrate what a good writer and poet he actually was, (by tarring the whole hip-hop genre with one brush) and the movie did a good job of showing these aspects of his life, for example exploring his time at the Baltimore School of the Arts. For someone watching the film who didn’t know much about his life, I think this part would surprise them positively and I was glad they showed these more unknown bits.

Unfortunately though, the structure of the film made the whole thing a bit bitty and I felt like some scenes that could have gone somewhere were cut off, while other scenes lingered for too long. The first half of the film is structured mainly with flashbacks, with the present being an interview with Tupac while he’s in prison. Then once the flashbacks catch up with the present (prison), the rest of the film just follows a linear timeline. This felt a bit random- I felt it should have been one or the other, and it meant that the flashbacks were shorter and ended just as they were getting interesting, while the second half of the film felt like it went on and on. Consequently, some parts were missed and others were too over-the-top.

The stand-out character was Afeni, Tupac’s mother, and I was pleased that they did spend quite a bit of time exploring her story and their relationship, as this was essential to understanding the person that Tupac became. I was definitely most convinced by the performance of Danai Gurira (of The Walking Dead fame), who played Afeni. Following Straight Outta Compton, in which all the characters were cast superbly and the actors captured their characters almost flawlessly, All Eyez on Me wasn’t quite as good at this. The guy who played Tupac looked almost exactly like him and captured his mannerisms pretty well, but the others just weren’t quite as good. After watching Straight Outta Compton I came away amazed at how well they managed it, but this one didn’t have quite the same effect.

I would recommend this to people who already know a bit about Tupac and who are already fans, but generally if you’re not interested already it will probably be quite boring. As far as biopics go, I don’t think it would convince people to find out more about his life or music (whereas I thought the opposite about Straight Outta Compton). A solid effort but nothing outstanding. The soundtrack is pretty good though.

2.5 stars