John Wick (2014)

Director: Chad Stahelski Cast: Keanu Reeves, Michael Nyqvist, Alfie Allen, Willem Dafoe, Adrianne Palicki

An ex-assassin is forced back into work when a gang rob him in his own home. Unfortunately for them, his wife has also just died so he’s on the rampage.

You know those days when you’re already in a bad mood, it’s raining, it’s Monday, and then a colleague that you don’t like anyway does something to set you off? We’ve all been there, John Wick, we’ve all been there. Aside from the clearly very relatable nature of the film, John Wick is a very slick and very cool movie with the perfect balance of action and storyline. I remember when I watched Top Gun way back I loved the action scenes but there just weren’t enough of them, while there was far too much romance and bleurgh that just was not interesting. John Wick however provides just enough characterisation for us to sympathise with John and to know who the baddies are, but most of the film is just super-cool fighting and shots of New York. Because of this, there is very little plot and it’s extremely easy to follow, but you don’t necessarily always want intricate storytelling which takes effort to follow- especially with such amazing cinematography and style to keep you entertained.

Now, mention Keanu Reeves and it’s fair to say many people will be put off. However, in this he’s perfect for the part. Keanu’s not known for his dramatism and ability to convey deep emotion, but that’s why he works so well in this. He’s great at the action sequences (not too different from the Far-Eastern style that inspired The Matrix), and his serious and unflappable nature befits an assassin well. Willem Dafoe makes almost a cameo appearance, because he’s in it so little. Not totally sure his character added much to plot and whether anything really would have changed if he was taken out, but still he was pretty cool so we’ll let him off.

I would absolutely recommend this as the perfect Saturday night at home movie. Easy to follow, beautifully shot, loads of action, no time wasted on romance and drama- and did I mention very cool?

4 stars

The Village (2004)

the-village

Director: M. Night Shyamalanalamnayalanan Cast: Bryce Dallas Howard, Joaquin Phoenix, Adrien Brody, Sigourney Weaver, William Hurt

A small village is surrounded by woods that cannot be entered due to mysterious and evil creatures lurking within. When once of the villagers is injured, another attempts to leave through the woods to find help.

So I actually knew the twist of this movie before I watched it, which I have to say did ruin it for me. It’s a shame because the twist is very clever, and I wish I had been surprised by it! So yes, if you don’t know what happens, do watch it- and be amazed.

Having said that, the twist is the best part of the movie and the rest of it is a bit weird and a bit flat. Do stick with it during the lulls to reach the shocking ending, but just be warned that not much really happens until the climax. If I hadn’t known there was a twist, I probably would have switched off to be honest as there is really very little plot. I find with M. Night Shyamalan that some of the time he gets it spot on and the rest of his stuff is just a bit meh. This was meh. (Except for the twist, I cannot express that enough).

The Village can be pretty creepy at points so not for those who can’t really do horror. It’s quite a thinking film so not a light flick. I probably would recommend it but I have no real desire to watch it again.

2 stars

The Third Man (1949)

Third Man

Director: Carol Reed Cast: Joseph Cotten, Orson Welles, Alida Valli, Trevor Howard, Bernard Lee

A man travels to post-war Vienna to visit an old friend, whom upon arrival he discovers to be dead. However, after a little digging the man thinks there’s more to his friend’s death than meets the eye. A classic film-noir thriller.

The Third Man is a great film to watch from a cinematographic point of view. The film has a really eerie and haunting feel due to the debris all across post-war Vienna, which is accentuated by the black and white shadows. The film certainly wouldn’t have the same impact if it were filmed in colour, especially the moment when we first see Orson Welles’ character, which is made hugely dramatic by the use of darkness to hide his face followed by light for the big reveal. The shadow make the buildings appear grand and looming, which makes the famous chase scene towards the end feel suitably disorientating.

In terms of plot, it’s a good story and I like the characters being morally ambiguous. However, I did figure out the plot almost immediately- even my mum worked it out, and that is saying something. I think this detracted away a little from the “thrilling” aspect of this classic thriller, as I wasn’t really on the edge of my seat. However, the story covers a number of interesting political and historical aspects, such as post-war corruption in the defeated nations such as Austria, the uncertainty of post-war Europe, and what it means to be “moral”. The following line sums up nicely the film’s mixture of black humour and thought-provoking messages: “Like the fella says, in Italy for 30 years under the Borgias they had warfare, terror, murder, and bloodshed, but they produced Michelangelo, Leonardo da Vinci, and the Renaissance. In Switzerland they had brotherly love – they had 500 years of democracy and peace, and what did that produce? The cuckoo clock.”

This is definitely a film for adults, not because of any inappropriate content but rather because its messages which might be easily missed. The plot also builds slowly so it’s not for those who want fast-paced action from start to finish, plus there’s a lot of dialogue which I found required a lot of concentration. The obvious storyline loses it a star from my perspective, but visually it’s a lovely film to watch and appreciate.

4 stars

Léon (1994)

Leon

Director: Luc Besson Cast: Jean Reno, Natalie Portman, Gary Oldman

After her drug-dealer father and other family members are murdered, 12-year-old Mathilda seeks refuge with her mysterious neighbour, Léon, who turns out to be a professional assassin. Mathilda persuades Léon to teach her how to kill, while they become, er, close friends.

Before getting into what I didn’t like, I’ll starts with some positives. Although the film covers some heady subject matter, it does so with a very dry sense of humour and you quickly warm to both Mathilda and Léon (and Léon’s best friend, a house plant). Mathilda’s persistence softens Léon and gives him a companion that he never had, which is a touching side of a story that is pretty much about murder. It’s probably my favourite performance of Natalie Portman’s (after my earliest experience of her acting was The Phantom Menace, which has permanently tarnished my view), and there’s no cringe factor like there often is with child actors. Additionally, Mathilda at only 12 years of age is probably the edgiest dresser I have ever seen.

However, while I don’t agree with the outcry about this film regarding Léon’s and Mathilda’s unconventional relationship, I don’t see why the script makes Mathilda believe that she is romantically in love with Léon. It would have been enough to just make her love him like a father, as he loves her like a daughter, and this wouldn’t have taken anything away from the plot. For them to simply grow to love each other like father and daughter would be enough to make us still sympathise with them and enjoy their character development. My other criticism is about Gary Oldman’s bad guy. Although he is suitably maniacal, we don’t really know too much about him and why he’s become like that, so it doesn’t really seem realistic.

I enjoyed this film overall and it has a satisfying ending. I wouldn’t say that it’s suitable for family viewing (in the slightest), but it’s not super heavy viewing so would be good for a Saturday night in.

3 stars