Director: Luc Besson Cast: Jean Reno, Natalie Portman, Gary Oldman
After her drug-dealer father and other family members are murdered, 12-year-old Mathilda seeks refuge with her mysterious neighbour, Léon, who turns out to be a professional assassin. Mathilda persuades Léon to teach her how to kill, while they become, er, close friends.
Before getting into what I didn’t like, I’ll starts with some positives. Although the film covers some heady subject matter, it does so with a very dry sense of humour and you quickly warm to both Mathilda and Léon (and Léon’s best friend, a house plant). Mathilda’s persistence softens Léon and gives him a companion that he never had, which is a touching side of a story that is pretty much about murder. It’s probably my favourite performance of Natalie Portman’s (after my earliest experience of her acting was The Phantom Menace, which has permanently tarnished my view), and there’s no cringe factor like there often is with child actors. Additionally, Mathilda at only 12 years of age is probably the edgiest dresser I have ever seen.
However, while I don’t agree with the outcry about this film regarding Léon’s and Mathilda’s unconventional relationship, I don’t see why the script makes Mathilda believe that she is romantically in love with Léon. It would have been enough to just make her love him like a father, as he loves her like a daughter, and this wouldn’t have taken anything away from the plot. For them to simply grow to love each other like father and daughter would be enough to make us still sympathise with them and enjoy their character development. My other criticism is about Gary Oldman’s bad guy. Although he is suitably maniacal, we don’t really know too much about him and why he’s become like that, so it doesn’t really seem realistic.
I enjoyed this film overall and it has a satisfying ending. I wouldn’t say that it’s suitable for family viewing (in the slightest), but it’s not super heavy viewing so would be good for a Saturday night in.